Twitter is the minimalist’s blog

Wonderful things are afoot, exciting developments at work – these days I’m heading up a new area where consumer insight and experience design are joined together, so not only can we identify and co-create new LEGO experiences in partnership with LEGO fans around the world, but better still – make sure we follow up on all those experiences via the Net Promoter Score and other research and dialogue to ensure we deliver the promise consistently and continuously to the standard our fans expect. So a fantastic team and very exciting remit we have, and which means that I’m traveling even more than usual.

Blogging has fallen a little to the wayside as a result and in a way it is a shame. I used to feel very bad about it actually, until I wrapped my head around Twitter. I love the fact that you can tweet while on the move – solves all sorts of issues for me as I’m forever running out of battery power on the laptop, or struggling to get a reliable wireless signal that I don’t have to enter my credit card details to use. Twitter is the ultimate compromise – on the one hand it is extremely flexible in that you can tweet from anywhere, at the same time it is extremely constrained in that you only have 140 or so characters. And with tools like tinyurl etc you can still post links if you don’t whittle on about it.

So I guess best way to keep track of me these days is through twitter – and yes, I will make an effort to post a blog entry every once in a while, but granted – it could be more often, so bear with me.

Add comment October 6, 2009

The big idea

Some weeks ago I had the pleasure of attending the Grid09 conference organised by Bonnier, the Swedish media empire. This event brought together authors, journalists, publishers, tv-people – you name it, from near and far to think about the big ideas for the future. A superbly inspiring bunch of speakers, of whom I was privileged to be one of and tons of interesting topics – my only regret was that I wish I could have stayed for longer. Fortunately the expert producers of the event, well versed with technology – have managed to capture the presentations and make them available online for all to see!

Go to www.bonnier.com/gridmeeting to see the presentations – I particularly recommend the one from Steven Berlin Johnson on the ecosystems of news, which is a nice preamble to my own talk about eco-systems involving users – and to not forget what is really important in life: meet Abraham Verghese and his stories of life and death. A truly memorable event – well done to Stefan Mehr and co for putting it all together!

Add comment September 29, 2009

Definition of a successful life

Couple of weeks ago I had the opportunity to nip back to my native Finland for a good proper ‘Släkt Fest’ – Family Party, as my uncle, now the oldest of all my relatives – turned an impressive 80 years old. In his time he has fought cancer twice, most recently only this year, yet still managed to dust himself off and get an all clear, defying doctors and history to become the first Weckström male to reach such an impressive age. It was a wonderful celebration of his life and all our time together, young and old and my cousin Sonja Weckström read a most wonderful poem I cannot help, but quote:

Definition of a successful life

To laugh often and much,
to win respect of intelligent people
and the affection of children;
to earn the appreciation of honest critics
and endure the betrayal of false friends;
to appreciate beauty, to find the best in others;
to leave the world a bit better,
whether by a healthy child,
a garden patch or a redeemed social condition;
to know even one life has breathed easier
because you have lived.

By Harry Emerson Fosdick

and with many thanks to Sonja and all my folks for such a wonderful day together!

Add comment August 18, 2009

Growth in an uncertain future

A great article from the Wharton school highlights the importance of working with scenarios, instead of a concept of a fixed point in the future. Incidentally this article describes in almost perfect detail the process we use at LEGO too, to elicit leaders to approach the future using creativity and innovation, as opposed to purely being reactionary – which too much planning with a fixed point in mind can lead to.

I’ve found that working with the future in the way described in the article, is a great way to encourage strategic conversations all across the company, create robust strategies for succeeding no matter what the world looks like and generally creating a versatile, adaptive organisation capable of sensing changes in the world and reacting to those changes much faster. Surprisingly though, this practice seems to be fairly uncommon in companies, which I find scary – the current economic climate alone should serve as a reminder of what can happen if we fail to prepare adequately for all eventualities. The best way to predict the future is to invent it as Alan Kay so well put it.

1 comment July 29, 2009

LEGO Indiana Jones/Star Wars Mashup

Sitting here in the ever-enticing hotel relaxing after a long, but productive week at our Enfield CT offices, I came across this – which I just had to share. Ever wondered what Indy and Star Wars have in common? Wonder no more..

5 comments June 19, 2009

..you thought the Wii was innovative? Check this out..

1 comment June 5, 2009

LEGO Architecture: a fan-created enterprise on the LEGO platform

What is the ultimate form of lead-user innovation? That would be to enable lead-users to develop a product and set up a business on your company platform. Sounds outrageous perhaps, but exactly that is what Adam Reed Tucker of Brickstructures and the LEGO Group have pulled off together. LEGO Architecture was officially introduced in 2008 and the line now consists of six buildings – the latest additions include two of Frank Lloyd Wright’s most famous and recognisable buildings – the Guggenheim Museum and Falling Water.

All the models have been developed in collaboration with architects and LEGO Architecture works to inspire future architects, engineers and designers as well as architecture fans around the world with the LEGO brick as a medium. This is particularly powerful as a recent survey indicates that what you play with may have a bearing of your future career choice. Construction toys such as LEGO bricks were found to be instrumental in forming budding architects’ ambitions, with 99 per cent** of architects, including Royal Academy President, Sir Nicholas Grimshaw (architect of the Eden Project), and David Chipperfield, winner of the 2007 RIBA Stirling Prize, having played with the toy bricks when growing up. 

The two new sets will be released for sale in the US at the opening of the Frank Lloyd Wright exhibit ‘From Within Outward’ at the Solomon R. Guggenheim museum in New York

Contact Brickstructures for more on LEGO Architecture

 

**LEGO UK polled 235 architects through the architectural website www.bdonline.co.uk in January 2009

1 comment May 28, 2009

The secret world of underground LEGO

Came across this yesterday and was completely bowled over. 

3 comments May 28, 2009

Leading creatives – who’s holding the pen?

I have a confession to make. The possibly worst example of leadership I have ever come across was in design. A team of designers tasked with designing something, each wielding their pens in search of the solution, yet one person bent on undermining the whole effort by figuratively speaking holding the pen for all the others, subjugating them to mere automatons exercising a skill, rather than the mastery of their profession. Leadership involves a set of competences different from design – an ability to facilitate, set a direction but empower people in the pursuit of that goal and enabling personal growth, skills that I would argue many designers-turned-leaders are yet to master. 

In companies or departments whose primary function is the creation of value derived from design (i.e giving form to creativity and shaping it into something new, surprising and valuable for a defined target audience, often in response to a perceived need, or problem) – the leaders have been (or still are) designers themselves. In this case a great deal of the judgement and respect of peers is based on concepts of whether they are a ‘better’ or ‘worse’ designer than you. Note here that the concepts of ‘better’ and ‘worse’ are often highly subjective and that in areas where the judgements of performance are highly subjective, politics abound. Note also that ‘better’ in a subordinate can often be a threat if your entire leadership is based on the mastery of a professional skill.

So when designers graduate to leaders, there can be a disconnect about what it means to be a leader and many still cling on to exercising their professional skills as a safety blanket, a means to stay in touch with their identity as creatives or worse still, are passively-aggressively fighting their new set of responsibilities, which are seen as less ‘fun’ or ‘exciting’ than doing design. This then manifests itself as micro-management, a failure to grow talent among one’s direct reports and a collective dumbing-down of the potential of all around. 

This is not to say that some of the examples mentioned above about micro-management etc. doesn’t exist in other areas – of course they do, but I would argue that nowhere can such management behaviour create more psychological damage than in a creative area – because the act of being creative makes you vulnerable and whenever you put forth a half-baked idea, you are out on a limb and that goes for everyone. The less accepting an environment is of a creative idea, the less likely you are to come up with one again. However, if the value creation is based on other things as well as creativity, it is still possible to create value even if you are not being creative in the process. What suffers is your enjoyment of work – so rather than be passionate about it, it becomes ‘just a job’, but at least it is possible to do.

However, if your entire raison d’etre in terms of how you make a living is based on being creative 24/7 – then the right leadership is absolutely crucial. Leadership has to take into account how creativity thrives and how to create contexts where individuals can grow both collectively and individually and not only master their profession, but also actively be part of and role-model the behaviours that enable a culture where creativity can flourish. Carl Rogers captured it well, when he said “In my early professional years I was asking the question: How can I treat, or cure, or change this person? Now I would phrase the question in this way: How can I provide a relationship which this person may use for his own personal growth?” This should be the question leaders of creatives ask themselves too.

Designers love fixing problems and whenever we are in a leadership position and someone comes to us with a problem, the temptation to try to fix it can be overwhelming. While we feel helpful and competent, it often has the opposite effect on the other person. First, offering solutions creates distance between two people: one person in the know (above) and the other in trouble (below). Second, the person being helped feels inadequate, especially when he is already feeling weak. When we offer solutions, regardless of our intentions, the message often comes across as condescending and paternalistic. Moreover, years of this kind of behaviour can gradually erode the self-confidence of people, their faith in their own ability to come up with a solution, making the example I mentioned at the top – a team drawing but only one wielding the pen, a reality.

Instead, we should aim to create a safe environment of unconditional positive regard for each other, embracing and accepting of individuals as people, helping them grow stronger and better able to deal with challenges and difficulties on their own. There are times when suggesting a solution is appropriate, but first one must accept and be there for them, and only then provide advice and suggest solutions. A climate that contains as much safety, warmth and empathic understanding as we, as leaders, can find within us to give, is the ground where creativity can thrive en masse, where individuals can reach their full potential and surprise not only others, but themselves in how much they can achieve. And given that creativity is talked about as the skill for the future, the differentiator between companies, even nations – that means that all of us must become better at enabling creativity all around us. Only then, do we deserve to call ourselves leaders, enablers of full human potential rather than stiflers of creativity in people.

2 comments May 17, 2009

Understanding LEGO and systematic creativity

LEGO bricks are almost universally synonymous with creativity, the exuberant energy of children to imagine the future and craft it with their very own hands. Much has been said about creativity, and in recent years a lot of new research has emerged, shedding new light on this complex human quality. Creativity is not something you are born with – but a collection of many ‘ordinary’ abilities that together enable us to ‘generate ideas and artifacts that are new, surprising and valuable.’

However, many products, concepts, toys and ideas out there have already been developed to the final, finished article – leaving very little room for us to use them to come up with new things that are surprising and valuable to us. On the other hand, one of the reasons for success of so many of the web 2.0 tools is that they are platforms, enabling many new things to be created and contributed, rather than closed solutions with only limited applications. But in time before time, so to speak – before systems and platforms became the plat du jour of any self-respecting developer and designer out there – one man realised just what potential a system could have, as opposed to a finished solution – when given to millions of children the world over to use, experiment with, and become familiar with the power of their own imagination. 

Godtfred Kirk Kristiansen, the founding father of the LEGO® System of Play, believed that children should not be offered ready-made solutions, instead they needed something different that would strengthen their imagination and creativity. He devised the notion that a range of toys should fit together to form a system, in order to create a toy with value for life. Thus no LEGO product is ever finished, it leaves the factory in pieces that you put together yourself into either the model you fell in love with on the cover of the box, or more intriguingly – into something entirely different from your own imagination. Either are correct and no LEGO creation is ‘wrong’ – anything can be built and through that open-ended freedom, becoming familiar with the bricks, we gradually become familiar with and begin expanding the limits of our own imagination.

Recently we asked LEGO parents from the UK and US what effect playing with LEGO bricks has had on their children and over 90% cite improved creativity, problem-solving, coordination, thinking, learning, engineering and reasoning skills. Despite this strong testimony, most parents have limited understanding of why and how LEGO play helps their children grow. This was the mission set forth for the LEGO Learning Institute and its associated experts – to help us define what is the nature of the creativity that LEGO play develops in children.

A year and countless hours later prof. Edith Ackermann, prof. David Gauntlett and I have pulled together research from neuroscience, cognitive psychology, sociology and so on to put into words just how and why LEGO products are so much more than a toy – a creative tool, that through learning to master you learn about mastering your own creativity and making creativity a deliberate practice – not just a purely randomly occurring incident.

We are pleased to make this research available to all, and through sharing it we hope the debate around and understanding of creativity can only improve – we would like to demystify it and encourage anyone and everyone to stop saying ‘I’m not creative!’, but in fact begin recognising all the times we think an unfamiliar thought, and are in fact being creative on a personal level. Through recognising that, we can begin celebrating creativity in ourselves and others and nurturing it with the same commitment as professional sportspeople and musicians have turned their ability from a hobby or amateur level to excellence through deliberate practice.

Logic will take you from A to B. Imagination will take you everywhere. (Albert Einstein)

2 comments May 11, 2009

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